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10 Things I Learned By Doodling For 100 Days Straight

Published: August 31, 2016

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I recently finished a 100 day doodle challenge. How did it go?

The Rules

I set a small number of rules.

  • One drawing a day for 100 consecutive days. No skipping
  • Share the drawing on Instagram and Facebook
  • No erasing, start-overs, tear-outs, whiteout
  • Don’t overthink. Start drawing within 60 seconds of opening pad
  • Black and red pen
  • In one sitting

    What I learned …

  • I spent 100hrs+ “meditating” with a pen. That’s a win. No screens! No typing! No devices! The careful line-work in particular was very calming
  • Overall my mood and outlook improved
  • Peer pressure works! Once my friends started chiming in on Facebook I wasn’t turning back. On a couple occasions my challenge inspired others to take the plunge. That was very rewarding and inspiring
  • The workweek saps your creative energy. It’s hard to focus when you’re stressed. Stress would increase as the week progressed, and the drawings would become increasingly scattered. On Saturday, the relaxation kicked in. I kept thinking … what would it take to make every day like Saturday? And was my work suffering from the same lack of lateral thinking?
  • Ritual matters. 90% of my drawings were completed at the same coffee place (Raleigh Raw), drinking the same coffee (bullet coffee with grass-fed butter), and having the same smoothie (blueberry). It took 10 days or so to get in the swing of things. And maybe 30 to make it a habit. I’m pretty sure the caffeine injection / timing played some part in this
  • Tools inspire. Having a good set of pens and a pen bag was a big part of the experience. I have a pen fetish now
  • It takes practice to turn off your inner critic. Social sharing boosts the need to “make it cool”. Some of the best drawings started with no censorship and forethought. I had to consciously block out the inevitable share and looking for likes and comments.
  • When you do something every day, it’s ok if it sucks! You have another shot. If it’s your only shot, you’re more prone to freak yourself out
  • Some days you’ll want to get serious and meaningful. Other days you’ll shoot for trite and flippant. That’s ok! When you have output, you wait patiently for the “good ones”
  • Constraints help. Limiting myself to mostly black pen let me practice and explore what was possible

    The Drawings (In Order)

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1:100 This wasn’t too much of a stretch. I draw mind-maps all day. So it was no surprise that I started off in familiar territory.

1 ZG0aC2GMPkGHYmFtg2jTkA 2: 100 He sure looks scared. And of course there’s the wing-suit which must be a reference to one of my favorite films …. Brazil

. Tiny dots make their first appearance, but overall I haven’t found my groove yet.

1 Fc I68qYbqPbhf22ZW1t9A

3:100 Adele! Hello it’s me. Themes of isolation, rain, birds, flying, and tall places predominate. Plus I’m still using words.

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4:100 What a smarty pants! Actually, this did start with me imagining the sensation of a rose petals on my eyeballs. This one made me happy. And it was deliberate to some degree so it didn’t feel completely accidental.

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5:100 Wordplay continues. I was high from the rose colored glasses, so I took another shot at something witty. At this point I was all in. I had shared the drawings on Facebook. Game on. But it didn’t have the zing of the glasses.

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6:100 Major discovery! Starbucks can completely **** me up. My hands were shaking and it felt like lasers were shooting out of my eyeballs. So I drew that.

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**7:100 **OK. Things get serious. I remember what NYC looked like shortly after 9/11. I remember all the posters taped up on construction site walls. It was heart breaking. But I have to admit … I questioned whether I was just milking this memory for the drawing. Have you ever had that happen?

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**8:100 **My first of the the weird “the people are kind of small and the object is super big” drawings. I also discovered how to draw sand. The father and son walking away held some significance for me. This was the first drawing where I stated to get super anal with the line-work.

1 mbnXWajVyFjcprnP6FTRCg 9:100 Strange how this happens. Back to back small people (see 8:100). This started as an insect, but I wasn’t happy with it. It didn’t look “right”. So at the last minute I turned it into a kite. I was traveling at the time, so I was likely caffeinated with Starbucks coffee (bad ideas)

, and my head wasn’t in the game.

1 d7nkFjknbDDZUiZXsKHuDQ 10:100 OK! Now we’re in business. The addiction with line-work, different textures, rain clouds, and awkward perspective gazebos begins. I actually finished this at an Agile conference in King of Prussia (of all places)

. My mind must have been pretty dialed in. I start to notice the fetish of carrying around nice pens.

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11:100 Travel day. This felt like weak sauce. It can be hard to string together super-anal line-work on back to back days.

1 B40m54uvwHS3pz32gsZ 7A 12:100 Strange swirls and flourishes rise! This was one of those wandering “I won’t know until it is almost done” doodles. I go to my old standby little-people (see above)

and it comes to life. I loved the idea of a strange ferris / hamster wheel. The buttocks in the lower left was unintentional.

**13:100 **13 was not lucky to me. I get lost in the swirls. This was probably a stressful day.

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14:100 Birds! Rain! Sand! Themes unite. My favorite part of this drawing was doing the clouds. I didn’t expect it to work. But in retrospect they look very layered and humid.

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15:100 I patted myself on the back a bunch of times for this one. Anal line-work? Check. Word-play? Check. My friend Tim counted them to make sure I did include 50 shades. I did. Pulling this off made my day. I haven’t seen the movie. Is it good?

16:100 Return of the crazy gazebo and little people. There’s some movement here … they’re climbing to the top. What’s at the top? I don’t know. Remember the rocks. I come back to them near the end.

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17:100 Stressful morning. I couldn’t get my head in the game here, and work was looming on my mind. Stress muffles the thoughts and saps the patience.

1 33Tjjo3ZDwnAn6af5RLN6Q 18:100 Regaining some momentum I tap into my childhood obsession with catfish. I considered the return to halfway focused and inspired drawing a win here (given the previous day’s doodle crap)

.

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19:100 Is it a house? A hotel? How about a weird house with stairs? You can see the lines become tighter here. Dots. A wild freeform splat. These themes will return in future drawings.

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20:100 And now for something completely different! I was getting bored with the semi-literal stuff. The idea of parallel lines seemed appealing.

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21:100 I channel a bracelet designer and go for symmetry.

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22:100 This followed the pattern of “ok, let’s draw a bunch of patterns and then position a person in the drawing”. Webs, roses, thorns. Some familiar themes and a more confident larger non-stick-figure.

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24:100 A crying elephant in a hall of mirrors with a nude. Makes perfect sense. I came to the elephant about halfway through the doodle.

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25:100 A lapse. My mind wasn’t in it and work was piling up the stress. I try to resurrect it a couple ways, but it will be the flying steak forever.

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26:100 Patterns and doodles. Some new techniques … little circles, network drawings, a stray bra, and booze.

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27:100 More structure and control. For a while I was thinking about making it a woman’s back. Maybe it is. But I resort to a small man on a bicycle underneath a bunch of balloons.

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28:100 End of the workweek! Can’t hold it together. Fridays aren’t great doodle days. Note that I repeated #27. This is #28.

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29:100 Ah! Saturdays. Time to be incredibly detailed. The steps descend.

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30:100 First of the knife drawings. And sexual fruit.

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31:100 Must be a Monday. Semi-relaxed but mind buzzing. The squares return in a tree drawing later.

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32:100 This was more playful with larger circles. On some level it is related to the prior day’s drawing, but I go big.

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33:100 Intriguing. I was thinking about turning 41 years old apparently.

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34:100 More knives, fruit, and sex. Replete with a bra and a serpent. What was going on?

1 wzuXfCFbQh Vci mQdcRkg 35:100 I return to the blocky tree (see 11:100), and scaling extremes (little house or person)

. But there’s a balance here I like.

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36:100 And now for a different tree! This was a good recovery from the prior day. Weekend work for sure.

1 aWnQ8JCLI 9ZCVVHQr V w **37:100 **Robot insect. With crown (or something)

. I return to this a bit later.

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38:100 I really loved this. The bullet coffee actually works. I was in the zone for a while. It was like meditating. I discovered that messy dot work can be effective for contouring things.

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39:100 And I lose it! After the joy of the prior day’s work — probably early in the work week — I lose focus. The fish is nice though.

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40:100 Light nudity. Lizards. Bikes. Excel cell references. Octopus. Just another day I guess. This fits in the “lots of boxes / circles with little things mixed in” theme.

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41:100 This was the first of the “matchstick” type drawings.

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42:100 And … with the Cat Save! When in doubt make it a monitor and include a cat. Totally makes sense.

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43:100 I was looking at Weather Underground and noticed the wind markers. That seemed like a cool thing to obsessively draw over and over. But I wanted to take a risk … on something “Real”. So I drew an arm and didn’t destroy it. See later for the Sperm Tree. I avoided that effect here.

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44:100 Color by numbers?

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45:100 Bolstered by my confidence drawing “people”, I tried to sprinkle some people in. Like Nigel Tufnell. And boys. But I’m most proud of the globs on globs.

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46:100 Self-portrait. I was in a pretty angst mood that day. I was coming up with a ton of ideas … but all the ideas freaked me out.

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47:100 And the hill slopes up to the right! There are birds and rocks. And patterns. And network drawings. Some classic themes with good line-work.

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48:100 Why don’t we keep on this network drawing kick? Sure! It even looks like an animal. See later for the nude with tiny networks.

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49:100 Weird hotel on a hill. Knives. Patterns!

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50:100 Bolstered by my new pen purchases, I go completely ape-shit. There’s blood. And bones. And feathers.

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51:100 These pens are great. Seriously, good tools — and having 50 drawings under my belt — made this a ton of fun. The dots, crosshatch, etc.

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52:100 I go deep. This started as a network drawing. Incredibly detailed. But it started to take the form of a woman. I was excited. Did the red mess it up?

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53:100 Maybe it is fatigue, but I return to something less arduous. I’m pretty sure this was a Monday. After the weekend of new pens and meditation, I go for something less busy.

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54:100 As strange as it sounds, the “messy” branches on the upper left were a major win for me. I was really in the line-mode, and broke out of it with some happiness-producing results.

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**55:100 **Tunnels? More and more lines, but the “fuzziness” on the tubing was pleasing. It felt less linear.

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56:100 Black Lives Matter news. I kept thinking about a person trying to scream, but nothing coming out.

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57:100 And then follow that up with a completely unrelated sperm tree. I really didn’t want this to be the sperm tree. I doodled and doodled, and kept hoping it wouldn’t look like a sperm tree. But it ended up that way.

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58:100 Shit! That was super lucky. A whale! A real whale. Once the form took shape, I found it hard to turn back. I learned with this drawing that you could also use light pen pressure for the line work. It was more like shading.

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59:100 Weekday distraction. Oh well, it must be a vein. Let’s draw arrows to show the disease creeping in.

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60:100 Feeling toxic. Like only bullshit is leaving my mouth! Self-portrait again.

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**61:100 **One of those days!

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62:100 Thicker lines. Petals. Layers. A good reprieve from the day before.

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63:100 And we’re back to little gazebos and walkways. Phew.

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64:100 Lest we forget trees, little people, fruit, and all of that good stuff.

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65:100 Today let’s draw a ton of squares! So I did. There was something challenging about drawing little squares, and not circles.

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66:100 Let’s get angular! And draw lines. This is an oft repeated theme, but I went full screen for this picture.

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67:100 Non-distinct. Mid week. I finished this at 11:30PM.

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68:100 Little critters! In retrospect I didn’t like the fact that the critters were trapped by the tree. Looks uncomfortable.

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69:100 No guilt! There was a creative malfunction here. So instead of just phoning it in, I called it out.

1 frVMKtBXtfYiSLBw77ixXA 70:100 … a hill, up and to the right. Thorns. Apparently (see upper left) I had some to-dos on my mind. This is a facsimile of some earlier drawings (blog rocks)

.

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71:100 Hurray for the weekend! Calm. Serenity. A tiny person, rain, and a tree. But seriously, I enjoyed the layering of the clouds on this one, and the obsessive square drawing. Win! Confidence regained.

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72:100 Flexible fly swatters with arms. Of course!

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73:100 Back to wordplay. Visited friends in LA. The sun. The West Coast cool. Pulled this off in the LAX lounge over beers, but that’s what you can do when you’re sketching and not drawing lines furiously.

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74:100 Look at this thick pen. Patterns! Jet lagged to be honest.

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75:100 This makes me angry, actually. It feels very phoned-in. Oh hey, let’s draw a human cat with triangle hair. Nothing feels right about it.

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76:100 More distraction. Saving grace is the swimming pool.

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77:100 And then faith is restored! Back to some flower-work. Tight lines. Petals. Good recovery.

1 HVCU VzNaTJ40fUxKrGrtQ 78:100 I’m not stopping there! Let’s get the line ON! I was calm, caffeinated with good coffee, and ready to experiment (like with the fuzzy bird head)

. Guess what? It’s a Saturday! Maybe this is the living version of the bird in 50:100.

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79:100 And on Sunday I slow down a bit. Softer lines. Post bike ride. Some sinew.

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80:100 **** this. I am going to draw Monday a bunch of times. Over and over.

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81:100 Good recovery for a Tuesday. Not great. But not totally annoying.

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**82:100 **I love great pens. They make Wednesday awesome.

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83:100 And this is what a Thursday feels like. Scribble scribble.

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84:100 Keep pushing through. You can always fall back on matchsticks, connective lines, quasi-harps, and dark line bursts.

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85:100 One continuous line. This one felt like I was just floating along. It probably took a couple hours but I was enjoying my coffee too much. Intestines?

1 P9Rn1sOAv50NHo7iRREWEA 86:100 Down the rabbit (intestine)

hole.

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87:100 The old bird and talon standby. Blood!

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88:100 Remember that robot? 37:100. A gentler robot, with a bearded Grecian head. Makes perfect sense.

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89:100 Waaaay different! I set out here to challenge myself with non-lines. This might have been mid-week as well, but the project suited the freneticism of the workweek.

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90:100 Completely Kosher. No innuendo at all. It’s a flower.

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91:100 The solid branches were a change here. It felt swampy and drippy.

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92:100 The goat! This was a serious effort. I worked hard on the line-work. It started to take the shape of these aggressive rocks. It might seem stereotypical — Mountain Goat — but the idea of this goal being challenged by this maze of rocks was appealing.

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93:100 Another hotel on a barren landscape. With two crystal balls for eyes. it is almost insect-like, and I was probably shooting for that initially.

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94:100 This took on a fishy / kelpy vibe kind of early. But it wasn’t until I committed 100% to the scales that it took shape.

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95:100 When in doubt … wait until 11:30PM when you’re fried from work and draw a tree.

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96:100 Nice and simple and bursty!

1 YLkkcjmywS3 4UDCChGH1Q 97:100 If you’re a child of divorce (or don’t have kids and use Facebook)

you know that feeling of seeing happy families together through a haze/static.

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98:100 Life takes you on twists and turns sometimes.

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99:100 First full day in Greece on Vacation! I was super proud of the ink-painting on this one. It took a couple hours. But it captured my sense of calm and contemplation.

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100:100 What’s next? Who knows!